Oscar Méténier was a key figure in the 'Théâtre Libre' movement, which aimed to bring real, often ugly, slices of life to the stage. Les voyous au théâtre collects two of his one-act plays that do exactly that.

The Story

The book presents two separate plays, but they share a world. We're not in the plush seats of the opera house, but in the grimy corridors, cramped dressing rooms, and cheap cafes where the theatre's underbelly lives. The characters are actors past their prime, ambitious understudies, pennyset writers, and the hangers-on who survive on gossip and small cons. The plots revolve around professional jealousy, stolen roles, financial betrayal, and the brutal economics of making art. It's a chain of personal dramas where a missed cue or a bad review can mean ruin.

Why You Should Read It

What struck me is how modern these characters feel. Their desperation for a break, their bitterness, their small triumphs—it's all very human. Méténier doesn't judge them; he just puts them on stage, warts and all. The dialogue crackles with the slang of the Parisian streets. You get a sense of a whole society operating in the shadows of the glamour. It's a masterclass in building a world through sharp, natural conversation.

Final Verdict

This is perfect for anyone who loves theatre history, naturalist literature (think Zola's younger, edgier cousin), or just a compelling look at the 'other side' of 19th-century life. It's short, punchy, and packs a real emotional punch. Don't expect a neat, happy ending. Expect something real, a bit cynical, and completely fascinating.